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Summary LIV: The Temple's Beautifully Rendered Artwork

All figures are 10 feet tall. They surround a 10' square column of purple.

The Black Idol: Southern Side; Jet Black
This figure is wearing armor made of fluted, runneled, and winged plates.
The mail is made of downwards pointing triangles. Some sort of cape hangs
over the shoulders with scalloped edges near the knees. It holds a huge,
wavy-bladed two-handed sword. The helmet has no openings, and it covered with
strange projections and spiny ridges, much like the armor.

The Green Idol: Eastern Side; Deep Dark Green
This figure has a broad chest and wide shoulders. It wears a flowing
cloak that has sleeves that hang over the hands. A high collar goes from
cheek to cheek, and a tight cap is on its head. The figure is wearing a mask
of an old man. A staff leans against the right shoulder, lightly grasped.

The Red Idol: Northern Side; Dark, Intense Carmine
This figure wears high boots, hose, a doublet-like garment, and
gauntlets. These look strangely familiar, but are clearly of some foreign or
ancient style. The figure wears a long hood, drawn tightly around a faceless
face. The figure holds an axe with the blade on the ground and the hands
resting on its handle. The axe has a short handle, but the blade is long and
has many angles and an end spike that rests on the floor.

The Blue Idol: Western Side; Deep Indigo
This figure wears a garment with many pleats. It wears a girdle
with strange runes upon it. A broad cowl largely hides a blank surface
where a face should be. The arms are held so the hands meet at the center
of the chest (with elbows out to each side). The arms and hands are entirely
hidden by the robe, but must be holding the strangely convoluted and filigreed
stick (Scepter?).

Disturbingly, I have this level of detail on almost anything in the temple
you choose to examine in detail...

The Upside Down Pyramids in the octagonal room are two stepped affairs,
a pair of trapezoids stacked atop each other. Only the outline imples the
separation of the two levels, as the entire thing is nothing put a
silhouette. The bottom of the shape (top of the pyramid) is flattened rather
than pointed.

Edwin

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